Journal — February 7, 2026 · 5 min read
The Loneliness Nobody Writes About
An honest essay about the specific loneliness of working remotely while travelling — not a lack of people, but a lack of continuity, and what has and hasn't helped.
There is a particular evening that keeps happening to me. It's around seven, I've closed the laptop, the city outside is loud and warm and full, and I realise I have not said anything to anyone all day that wasn't about work or ordering food. Not one sentence that required knowing me.
I want to write about that honestly, because the version of this life that gets published is not the one I'm living, and I've read enough of it to feel slightly lied to.
It isn't a shortage of people
That's the confusing part. There are people everywhere. Coworking spaces are full of friendly, interesting, well-travelled people who will absolutely get a beer with you. I've had genuinely wonderful weeks in cities where I knew nobody on arrival.
The problem is not supply. It's continuity.
You meet someone you actually like. You have two or three of those conversations that make you think, oh, this one's real. And then in three weeks one of you leaves. Nobody is upset about it. They're going to Bali, you're going to Bangkok, you exchange Instagram handles and mean it, and then the conversation flattens into reactions to each other's stories and dies in about two months.
Do that enough times and you develop a subtle, awful efficiency. You get very good at the first four hours of a friendship — where are you from, what do you build, how long are you here — and you stop investing past that, because your body has learned it's not worth the setup cost. Every month you reset to the small-talk layer. You have a hundred acquaintances and the emotional infrastructure of someone who just moved to a new town.
The word I've landed on is unwitnessed. Being alone is fine; I like being alone, I've always worked best in a quiet room. Being unwitnessed is different. It's that nobody in a 3,000 kilometre radius knows what last month was like for you. When something goes badly there's nobody who can say "yeah, this is like that thing in November," because nobody was there in November.
The six-week mark
Every city has the same curve for me. Weeks one and two are great: everything is new, the novelty does all the emotional work, and you don't notice you're not talking to anyone. Weeks three to five, you settle into a routine and it's productive and pleasant.
Then somewhere around six to eight weeks the city stops being new. The cafés are just cafés. The walk to the gym is just the walk. And with the novelty gone, the thing underneath becomes visible, which is that you've built a life with no other people load-bearing in it.
I used to respond to that feeling by booking a flight. Novelty is a very effective painkiller and it's available for $60 on a budget airline. I did that for most of a year, and I want to be clear that it works, in the way that painkillers work.
Family, and the guilt
I'm Indian, my family is in Hyderabad, and there is a specific arithmetic that runs in the background constantly.
My grandmother's health is not what it was. My cousin got married and I was on a video call, propped on a chair, watching a wedding I should have been standing at. My mother tells me about things after they've resolved, which she thinks is considerate and which I find unbearable, because there's now a category of family event I only learn about in the past tense.
Indian families are not built for this. There's no cultural script for the son who is fine, employed, and simply not there. My parents are proud of what I do and they also don't fully understand why it requires me to be four hours away by plane, and honestly some months I don't either. The calls are good. The calls are not the thing. The thing is being in the room when nothing in particular is happening.
What has actually helped
Slowing down helped most. Two-week cities were a mistake. At two or three months you cross a threshold where the barista knows your order and the gym guy nods and you have four people you can text on a Thursday, and that thin layer of being recognised does more than any amount of new scenery.
Returning to the same cities helped. There's a version of this life where every place is new and it is a lonelier version. Da Nang is now a place I come back to, not a place I visit, and the difference is enormous.
Putting long-distance friendships on an actual schedule helped, and this is the most practical thing in the essay. "Let's catch up sometime" is a way of ending a friendship politely. I have four people I speak to on a fixed recurring call, and those four calls carry more weight than everyone I've met in a coworking space combined. It felt forced for about three weeks and then it just became how we talk.
One recurring in-person thing helped. A gym, a class, a run club — something where you see the same faces on a fixed day without having to organise it. Repetition is what turns strangers into people, and travel systematically destroys repetition, so you have to manufacture it on purpose.
And going home properly helped. Not four days between trips. Three or four weeks, sleeping in my old room, being annoyed by my family in the specific way you can only be annoyed by people you love.
Where I've landed
The honest answer about coworking spaces and meetups is that they solve about 40% of this. They give you company. They don't give you continuity, and continuity is the actual nutrient. A room full of people who'll be gone in a month is a real thing and also not the thing.
I haven't solved this. I'm writing it down because everything else I read about this way of working treats loneliness as a beginner problem you graduate from, and after two years I'd call it a permanent cost that you manage, the way you manage a bad knee.
I'd still choose it, and I want to say that clearly, because it's true. But I'd choose it with fewer cities, longer stays, and a less romantic idea of what I was signing up for. The freedom is real. So is the fact that on a bad evening there's nobody in the building who'd notice if you didn't come out of the room.